Within the Paranormal

GHOST COP - TROUBLE TV EP 3 - June 4, 2026 - GHOST COP

TROUBLE TV is back with its final installment. From NYC to Warsaw, Boston to Brno, Indianapolis to Greece, episode 3 follows GHOST COP as they take TROUBLE international. As their activity increases, the outer world becomes the focus, shifting from pure abstract creation to verité documentary capture.

TROUBLE TV is inspired by Mark Pellington’s BUZZ series that aired exactly once on MTV in the 90s, never to be shown again. An experiment in non-linearity and cut-up method, BUZZ drew from and presented: avant-garde art, underground cinema, early cyberpunk, industrial culture, appropriation/sampling, and postmodern literature. The band was inspired by not only the work as text but as an experience: imagine stumbling onto this late night experimental video show that was never re-broadcast, relegated to the corners of memory. Did it even happen or was it a mash-up hallucination of personal media consumption, fever-dreamt over night?

Shot on many different formats and cameras, TROUBLE TV leans into the atemporality of our current, continually recorded daily life. It is long form content for the short attention spans of our time. It is not made for the algorithm. It embraces the low-res/high-gain fluidity of the DV tape era, but also utilizes ultra sharp contemporary devices. It can be watched front-to-back; dipped in and out of; skipped around into; put on in the background. There is no one way or right way to experience TROUBLE TV.

The score is comprised of experiments, demos and forgotten versions of songs made during the writing and recording of this latest LP, as well as sketches that may be developed into future works.

It’s a supplemental addition to their new LP TROUBLE, available everywhere.

This is episode three.

Find episode two here: https://youtu.be/zgvxC7HgjT0

Find episode one here: https://youtu.be/VqrpWvjHjQU

Get TROUBLE:

bandcamp: https://ghostcopnyc.bandcamp.com/albu...

Spotify: https://open.spotify.com/album/13WLtg...

Apple: http://itunes.apple.com/album/id/1767...

Tidal: https://tidal.com/browse/album/386065840

GHOST COP - A SHOT IN THE DARK - HOUSES OF HEAVEN REMIX - VISUALIZER - September 22, 2025 - GHOST COP

Visualizer for A SHOT IN THE DARK - HOUSES OF HEAVEN REMIX, directed by GHOST COP.

A SHOT IN THE DARK original track written and produced by GHOST COP

Vocals recorded by W. Andrew Raposo en La Piscena, Brooklyn, New York

Mixed and mastered by Abe Seiferth

Remixed by Houses of Heaven

Additional mixing by Matia Simovich

Remix mastering by Abe Seiferth

Published by Observed Phenomena (ASCAP)

GHOST COP - THE GIRL WITH THE TERMINAL STARE - September 19, 2025 - GHOST COP

Official video for THE GIRL WITH THE TERMINAL STARE by GHOST COP

Produced by Observed Phenomena Studio

Directors: Sean Dack + Lucy Swope

AD: Max Fractal

DP: Sean Dack

AC + Gaffer: Jim Batt

2nd AD: Hernán Sanchez

Choreography + Movement Direction: Neil Schwartz

Choreography + Freestyle: Jordan Kaya

Choreography + Freestyle: Roy Garzon

Costuming, Hair + Make Up: Jordan Kaya, Lucy Swope

PA: Josh Samuels

Edit + Color: Sean Dack

Title design: Hernán Sanchez

Special thanks: Scott Miller

Shot at {TBSP} Studio, Greenpoint

Song recorded at GHOST COP HQ, 2023

Vocals recorded by Abe Seiferth at Transmitter Park Studio, Brooklyn, NY

Mixed and mastered by Abe Seiferth

Produced and written by GHOST COP

Published by Observed Phenomena (ASCAP)

From the album TROUBLE. Available on:

bandcamp: https://ghostcopnyc.bandcamp.com/album/trouble

Spotify: https://open.spotify.com/album/13WLtg4niTG5jYmklLCA63?si=UTG2g5cwTw-Q9HlEqQfmpg

iTunes: https://music.apple.com/us/album/trouble/1767251161

GHOST COP - TROUBLE TV EP 2 - August 1, 2025 - GHOST COP

TROUBLE TV is back. Episode 2 continues the audio/visual diary of the band GHOST COP as they take their album TROUBLE on the road. Hotels, highways, and nightclubs. The road stretches endlessly as memory becomes montage.

Shot on many different formats and cameras, TROUBLE TV leans into the atemporality of our current, continually recorded daily life. It is long form content for the short attention spans of our time. It embraces the low-res/high-gain fluidity of the DV tape era, but also utilizes ultra sharp contemporary devices. It can be watched front-to-back; dipped in and out of; skipped around into; put on in the background. There is no one way or right way to experience TROUBLE TV.